The Emerging Designer Who Makes Both Furniture — and Jewelry


From left: the designer Eny Lee Parker at home in Savannah; her booth at Sight Unseen Offsite.

Ana Heritage

Accented with dusty pink carpeting and velvety elephant-ear plants, Eny Lee Parker’s exhibition booth at the Sight Unseen Offsite fair in New York last May was as modern as it was earthy; a Pantone time capsule of how we decorate now. The 28-year-old designer and ceramist filled the space with furniture that felt unattached to the whims of trend, however, with mixed-media pieces like a glass coffee table with juglike terracotta legs and a lamp with a cone-shaped ceramic base and an upturned metal shade. For the clay elements in her designs, Parker employs a unique technique: She applies a clear glaze, sandblasts it to remove the high gloss and finally coats the pieces with beeswax, which deepens their tone.

“I love that terracotta is so accessible, and that you pull it up from the ground,” says the Savannah, Ga., resident and graduate of its College of Art and Design. A self-professed “neutrals person,” Parker’s aesthetic is informed by a measure of Faye Toogood and Constantin Brancusi, as well as global references including her childhood in Brazil — “you see crafts there everywhere, and I wanted to use traditional methods of fabrication in a contemporary environment” — and an adolescence spent helping her mother, a pattern maker, in the Los Angeles garment district.

Recently formative was the trip to her parents’ native Korea two years ago, where at a market in Gyeonju City, the country’s oldest town, she fell in love with a traditional gray pottery tea set with white carvings and a round spout. She returned to Savannah intrigued and ready to try her hand at throwing. “I wanted to use the potter’s wheel to create furniture, which was very ambitious, especially for the size of things that you have to throw,” she…

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